The Zen of Retirement

Just got back from a week of great diving in Cayman Brac. A seemingly odd topic for a photography blog; but there is a method that I hope will makes sense.

Buoyancy is the great equalizer in SCUBA. Weightlessness (neutral buoyancy) in water, while laden with heavy gear, is the ultimate goal. I have seen overweight divers, divers with injuries and disabilities, and older divers become soaring birds… or more appropriately, perfectly balanced fish. There are some tricks to learning good buoyancy. Some divers get the hang of it very quickly; others always remain clumsy, heavy, and off balance underwater. There is often an “ah ha moment”. And, like all skills, it requires practice, patience, and repetition. Good buoyancy is the gateway to many other important aspects of diving like minimal air consumption, streamlined posture, preserving delicate sea life by staying off the bottom, situational awareness, good buddy skills, and an enhanced overall experience. It is when diving becomes meditative. I have good buoyancy, under most circumstances.

During the trip I took my camera and lights under water for several dives. My rig is fairly simple, small, and light. Every time I dive with camera gear I recall a week of diving very early in my SCUBA and science career. Hard diving, deep diving, far offshore in cold water, my first Nitrox dives, and wearing double tanks with redundancy and a bulky drysuit. Additionally, there were multiple tasks and scientific activities to perform on every dive. I was a novice in the deep end. Bill Curtsinger, a renowned underwater photographer, joined the team and dove with my group on a few dives. Bill was slight, kept to himself, and was task oriented. His rigs were large housings holding advanced 35 mm film cameras, they had big dome ports, and double strobes on large articulated mounts. Something akin to space ships or giant deep-water arthropods. He slipped effortlessly over the side of the rubber boat with three of these rigs hanging by tethers from his gear. Perfect buoyancy and complete control in challenging conditions. He was a marvel.

On my recent dives with a camera rig, I once again felt like a novice. My buoyancy suffered dramatically. I used more air. I lost track of my buddy (grateful for 100 feet of visibility) more than once; and generally failed at task loading. On land it is common to become myopic while pursuing a photograph or series of images. But underwater the stakes are higher and the mistakes more obvious. Returning to the boat I commented to the captain and divemaster that I was shocked how much air my camera used.

The experience is a valuable reminder about becoming complacent, presumptuous, and forgetting the value of important early lessons. There is always room for improvement, learning from others, acquiring new skills, and humility. Zen is a never-ending pursuit.

Photo by Chris DeCarlo

Snow Tutorial

A friend and accomplished photographer, John Douglas, suggested we spend some time at a scenic spot near the end of his road in rural Vermont. We spoke about camera settings, how to deal with intense light and snow, and composition. Afterwards, John offered some simple post-production tips. Thigh deep snow was a challenge. But the results were rewarding.

Fresh Start

A new year… plenty of cliches to be found. Certainly, an opportunity for a new beginning. Two-fold in my case; the first day of my retirement. Adventures to be had. I have a new camera; exciting photographs are mine for the taking. Julia and I have plenty of big plans and some everyday wonders to be found. It is also a good time for reflection and evaluation. Much easier to chart a course if you know where you are and understand where you have been. Of course, serendipity is a welcome traveler.


Common Ground

It is easy to find division, mistrust, and discord in the news and in our daily lives. There are, however, many signs of compassion, thoughtfulness, and unity around us as well. We can choose how much hope, joy, and love we keep in our personal lives. The photograph below, Common Ground, was recently juried into an exhibition, Snapshot America, at the Rhode Island Center for Photographic Arts.

Website Updates

I have made some long overdue updates to this website. The work in the Portfolios is more reflective of storytelling and developing narratives. I have updated the About page, also with an emphasis on storytelling. And the blog has new additions, with some links. In the future I plan on being timelier and more consistent with updates. Please visit the website on a regular basis to keep track.

September 2024

A busy month in many regards. Traveling to Vermont every weekend for late summer/early fall activities. Yesterday (Saturday the 21st) there was an opening reception for the Found Object Still Lifes featured in the New Projects portfolio. The work was paired with Found Object Assemblages by a clever and talented artist, John Parker. The curator, Julia Pavone, did a masterful job hanging the show. Hanging photographs and assemblages with similar themes, colors, and subjects in perfect harmony.

John F Parker (@parkerassemblage) • Instagram photos and videos

Julia Pavone Arts

I also have some photographs being shown at the Rhode Island Center for Photographic Arts in Providence. This group show highlights work done during a workshop on Storytelling, Photo Essays. The workshop was a wonderful learning opportunity taught by David H Wells.

RI Center – For Photographic Arts (riphotocenter.org)

David Helfer Wells – New England based Visual Storyteller (davidhwells.com)

Creating During a Pandemic

The challenges and changes we all face during the Covid 19 outbreak are too numerous to list. It seems to me that learning to be adaptive is the key to coping. Serious aspects of people’s lives and our culture have been effected. I feel very fortunate to have maintained a steady income, been able to work, and most importantly my family and I have stayed healthy.

This means that finding ways to stay creative and active are trivial compared to the hardships and tragedy felt by some. But in an attempt to keep artists and the community engaged many art galleries and museums have been finding ways to keep artists, visitors, and patrons engaged. I feel very fortunate to have had work exhibited, virtually and in place, in multiple galleries and museums in the past 6 months.

An artist statement and image from one of those exhibitions and some thoughts on being adaptive are below:

SPA Gallery: Shelter in Place

Mark Dixon Artist Statement

The isolation we often seek for solace, respite, creativity, or even reward has a very different feel when it is imposed. Partly from the inherent uncertainty and hardship, but also because it is our nature to chafe under compliance. We are all finding ways to become adaptive; some with remarkable altruism, others in self-indulgent “survival”.

I have been discovering and exploring many of the local land trust preserves and associated trails. Through a series of events, both geologic and personal, I live in an environment shaped by retreated glaciers. These glaciers found their terminus somewhere between my backyard and Long Island. Massive erratics, valleys strewn with boulders, exposed ledges, and cobbles dominate large parts of the landscape. Just try to dig a hole in your yard. These rocks were all placed or exposed by the whims of the glaciers, physics, and probability. But in some cases they have been altered by hands. Abandoned foundations, rudimentary fireplaces, and long linear stonewalls, of the sort that inspired Robert Frost, were all built by Colonial settlers. The clusters of cairns, serpents, and standing stones are of a more mysterious and debatable origin. I find these all very fascinating, hopefully not an obsession in germination. Moss and lichens covering the stones, ferns sprouting in shaded wet areas, and seasonal swelling streams add to the sense of a primal landscape. This all makes for beautiful hikes that lend to social distancing; hikes I would have otherwise passed by.

This has also been an opportunity to bring my camera on a few hikes and explore some new and different subject matter. I choose a Black and White format based on the subjects and the aesthetic of how I think they should be portrayed; and perhaps also influenced by the current mood.

Mark Dixon Shleter in Place Colonial Foundation and Steps (1) - Copy.JPG

Updates

I am finally updating this web site!! I have added a “New Projects” Portfolio to highlight recent work. This will be a rotating gallery of projects that are not featured in the permanent Portfolios. Please check back on occasion to see new images.

Upcoming Exhibitions

I am really excited about a couple of opportunities to exhibit my photographs. Images from a summer 2013 residency in rural Bulgaria are on exhibit from April 25th to June 7th. The can be seen at the Alexey von Schlippe gallery of art at the Avery Point campus of the University of Connectiuct.  

Special thanks to the Griffis Foundation and the Orphues Foundation for the opportunity. An thanks to people of the village of Polkovnik-Serafimovo for their hospitality, warmth, and openness.

Some photographs from my Found Object series are being exhibited at the Skylight Gallery in Chelsea, NYC from May 12th to June 24th.